QLab Remote requires a connection to QLab 3.0 or later.
QLAB MIDI REMOTE PRO
Pro tip: Use a comma in the macro name to insert a line break. QLab Remote is the official iOS companion app for remote control of QLab, the award-winning live show control software for macOS. The way I created it was to create a new macro, hit record, and make all of the operations one-by-one manually, then save. I just wanted it to be a fun effect I could blast on at any time. The Functionality goes up to USB and MIDI Cue Control, Wireless-Remote, USB-Audio and MIDI-Interface (Similar to Devies Like Audio-Ape or AirTurn. And again, I didn’t want to create an extra snapshot for this. I tried doing it manually a couple of times, but I was never fast enough to boost the lead vocal, backing tracks, reverb level, reverb time, reverb density, and then return them all to their previous settings in the space of 5 seconds. There were two long transitions in the show between songs that I needed to punch up while people were clapping. Well, this isn’t a problem, per say, as an opportunity. Problem #3 – How do I create an explosion of reverb? There are probably several other ways to solve this problem, but I found the macro to be an easy global fix. The channels I needed where not on a visible layer and I didn’t want to create an extra snapshot so I created a macro to mute and unmute those channels. There were several times in the show when I needed mute all vocal FX when the Ringmaster would switch from singing to talking in the middle of a song.
Problem #2 – How do I mute hidden channels? The SD5 has a midi out on the back and you can easily setup a macro to send the correct control message to Qlab. And what if you make a mistake and you need to hit the panic button? You better make sure it’s close by. Unless your Qlab keyboard is right next to you, which mine wasn’t, it’s a pain in the ass to move over to it every time you need to trigger a cue. Problem #1 – How do I control Qlab from the SD5? There are other more important problems that macros can solve.The 500 times that you save 2 seconds by using a macro to save your session will reduce your stress level.Why would I create a macro to save my session when I can just as easily click File > Save Session? When I first heard about macros I ignored them because they seemed unnecessary. In it, I show you how I created macros to save the session, control Qlab, dim the lights and screen brightness, open the chat window, easily satisfy producer notes, create an explosion of reverb, and unmute hidden channels. In this video, I describe how I used macros to create efficient shortcuts in my mix on the Digico SD5 as head of sound for the Out of This Word tour for Ringling Bros. Order yours right here.UPDATE: This article appears in The Ultimate Guide to Creative Mixing on the Digico SD5.
QLAB MIDI REMOTE FREE
Nothing to install, nothing to keep up to date, and nothing to worry about.Įvery Team Sound product comes with free, responsive, helpful email support for as long as you own it. Physical failures of any kind are backed with an unconditional one-year free replacement warranty. The result is road-ready, practically indestructible devices that won't let you down. The buttons are premium long-life industrial switches rated at a minimum one million cycles. Go Boxes and MIDI Scouts are made with the best available components. The cases are tough, powder coated aluminum. Top-quality buttons each send separate MIDI messages instantly, giving you perfect, intuitive control of your show. The Go Box Prime and Go Box Mini are USB MIDI remote controls designed for use with QLab® or any other software that can receive MIDI messages. Plug a 5-pin MIDI cable into the other side and the MIDI Scout will pass all traffic through with the barest minimum of latency. Plug in a 5-pin MIDI cable or USB-A cable and the MIDI Scout will display all incoming MIDI Voice messages, MIDI Show Control messages, and MIDI timecode so that you can see what’s happening. The MIDI Scout is a full-featured live MIDI tester which lets you get to the bottom of any MIDI mystery.
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